Dating sim end movie


25-Oct-2020 02:57

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Even though Han is as usual very believable in a difficult role, Ko is frankly miscast, unable to convey the combination of romantic fatalism and sharp awareness that her character is supposed to possess.

On the other hand, the movie's technical accomplishments are top-notch.

From the title sequence that stunningly and seamlessly integrates Han Suk-kyu into the documentary footage of a North Korean military parade, to the impeccable production design of the drab KCIA offices and the dreadful torture chamber in Namsan, to Michael Staudacher's majestic music score, there is very little from the production end that can be called sloppy or indifferent.

Greatly aided by these overachieving staff members, newcomer director Kim Hyeon-jeong does a fine job of orchestrating the potentially unwieldy plot mechanisms and diverse elements of the globe-spanning production into a coherent whole.

Apart from its local success, it was the best-performing Korean film ever to open in Southeast Asia, and Dream Works even bought up rights to produce a remake in the U. The film made instant stars of its leads Jeon Ji-hyun and Cha Tae-hyun, and My Sassy Girl remains the best-selling Korean DVD ever produced.

It would be unfair to expect director Kwak Jae-yong to catch lightning in a bottle yet again with his next feature The Classic, and fans of My Sassy Girl should keep their expectations in check when they watch it.

The film explores this theme through its focus on one tough operative caught between two "fatherlands," which merely see him as a pawn in the grand game of chess, expendable and readily replaceable. He withstands the torture and gains trust of the South Korean spooks.

He hides his true loyalties, resists assimilation into the capitalist and pleasure-seeking South Korean culture.

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Two standouts: Song Jae-ho, (who starred in the two top hit films of 1970s, Young-ja's Heyday [1975], Winter Woman [1977]: it is such a pleasure to see him again in no less than two movies this year), breathtakingly changes from a kindly, humanitarian doctor to an assassin who can coldly "liquidate" a witness in the blink of an eye.

Ju-hee, on a visit from Suwon, becomes acquainted with a boy her age named Jun-ha (Cho Seung-woo) who takes her downriver to a crumbling 'haunted' house.