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Ghanaian works have attracted world attention in the fields of popular music, painting, sculpture, and film production.
As early as the 1930s, Ghana became known for the dance music called highlife, which combined European dance steps with indigenous rhythms. Important innovations in traditional dance have taken place since the mid-1960s, when the University of Ghana’s Institute of African Studies embarked on the systematic study and organization of indigenous dance forms.
The national obsession for the sport originated in the colonial era.
The men’s national team, the Black Stars, has won several African championships.
Kwame Nkrumah encouraged the development of sports to forge a national identity and to generate international recognition for the emerging country.
Political support in the 1960s led to giant strides, especially in athletics (track and field), boxing, and football (soccer).
Reflecting the country’s agricultural wealth and varied historical connections, it includes Ghana’s arts include dance and music, plastic art (especially pottery and wood carving), gold- and silverwork, and textiles, most notably the richly coloured, handwoven kente cloth of the Akan and Ewe.
The Ghana Museum and Monuments Board is based in Accra, where it maintains an ethnological museum and a science museum.
Although the bonds of the extended family are an important factor in the social norms of Ghanaians as a whole, they tend to be much less pronounced among the urban population, where the trend is toward the nuclear family, especially among the professional classes and scattered immigrant groups.
Nevertheless, many urban inhabitants return regularly to their rural villages for funerals and renewal of family ties.
Traditional social values, such as respect for elders and the veneration of dead ancestors, are generally more evident among the rural than the urban population.
However, a revival in the importance of these values and a closer identity with traditional social roots, as expressed in the institution of chieftaincy, is gaining ground among the urban diaspora drawn from different parts of Ghana.There are also differences between the urban and rural populations in dress and eating habits, with the urban dwellers being distinctly more Westernized and sophisticated.